American-born playwright and actor, who followed the techniques and themes of the European Romantic blank-verse dramatists.

A precocious actor and writer, Payne wrote his first play, Julia, or, The Wanderer, when he was 15. Its success caused him to be sent to Union College, Schenectady, N.Y., but family finances forced him to leave two years later. At 18 he made his first stage appearance in John Home's Douglas, but he encountered much opposition from established actors, and in 1813, at the height of the War of 1812, he sailed for England. At first interned as an enemy national, he was later released and triumphed at Drury Lane in Douglas, repeating his success in other European capitals. In Paris Payne met the actor Talma, who introduced him to French drama, from which many of his more than 60 plays were adapted, and to Washington Irving, with whom he was to collaborate on two of his best plays.

The finest play Payne authored, Brutus: or, The Fall of Tarquin, was produced at Drury Lane on Dec. 3, 1818. Brutus persisted for 70 years, serving as a vehicle for three of the greatest tragedians of the 19th century: Edwin Booth, Edwin Forrest, and Edmund Kean. Other important plays were Clari: or, The Maid of Milan, which included Payne's famous song “Home, Sweet Home”; Charles the Second (1824), written with Irving; and Thérèse (1821), a French adaptation. Because of weak copyright laws, Payne received little return from his successful plays, and in 1842 he accepted a consular post in Tunis.