popular dramatist who wrote comedies extolling the virtues of middle-class life and who, with Alexandre Dumas fils and Victorien Sardou, dominated the French stage during the Second Empire (1852–70).

Augier was an unbending moralist, and all of his plays are to some extent didactic in purpose. His verse play Gabrielle (1849) attacks the Romantic belief in the divine right of passion, while his Le Mariage d'Olympe (1855; “The Marriage of Olympia”) opposes the idea of the rehabilitation of a prostitute by love, as expressed in Dumas's La Dame aux Camélias (“The Lady of the Camellias”). A champion of the institution of marriage, Augier satirized adultery in Les Lionnes pauvres (1858; “The Poor Lionesses”) and saw in greed, and money itself, the root of evil. His best-known play, Le Gendre de Monsieur Poirier (1854; “Monsieur Poirier's Son-in-Law”), written in collaboration with Jules Sandeau, advocated the fusion of the new prosperous middle class with the dispossessed nobility.