After two provincial engagements, Baptiste went to Paris in 1791. In 1793 he joined the Théâtre de la République and in 1799 the Comédie-Française, from which he retired in 1828. He was not successful in tragedy. Parisians of the Napoleonic era primarily associated him with the noble fathers in such plays as Pierre-Augustin Caron de Beaumarchais's Eugénie (1767) and Denis Diderot's Père de famille (1758). His greatest achievement was in the title role of Philippe-Néricault Destouches's masterpiece Glorieux. Known as Baptiste the Elder, he was survived by his brother Paul-Eustache Anselme, called Baptiste the Younger, who had made a name for himself as a comedian.