Belgian Symbolist (Symbolist movement) poet and novelist whose writing was inspired by scenes of his native country.

Rodenbach studied law at the University of Ghent, Belgium, and continued his studies in Paris. His first collection of verse, Le Foyer et les champs (“The Hearth and the Fields”), was published in 1877. He returned from Paris to Brussels to practice law, but he later renounced the profession to devote himself to the Belgian literary renaissance movement known by the name of an influential literary review,La Jeune Belgique (Jeune Belgique, La).

Rodenbach's early works were known mainly in Belgium, but with the 1886 publication of La Jeunesse blanche (“The White Youthfulness”), he received general recognition in France. He then settled in Paris. His finest prose includes Bruges-la-Morte (1892; “Bruges, The Dead City”) and Le Carillonneur (1897; “The Carillon Player”), nostalgic novels evoking the landscape of Flanders. His best poetry includes Le Régne des silence (1891; “The Realm of Silence”) and Les Vies encloses (1896; “The Enclosed Lives”), moody, ruminative poems evoking the interior landscape of a self-absorbed mind.