a vessel made to hold scent. The earliest example is Egyptian (Egyptian religion) and dates to around 1000 BC. The Egyptians used scents lavishly, especially in religious rites; as a result, when they invented glass, it was largely used for perfume vessels. The fashion for perfume spread to Greece, where containers, most often terra-cotta or glass, were made in a variety of shapes and forms such as sandalled feet, birds, animals, and human heads. The Romans (ancient Rome), who thought perfumes were aphrodisiacs, used not only molded glass bottles but also blown glass, after its invention at the end of the 1st century BC by Syrian glassmakers. The fashion for perfume declined somewhat with the beginning of Christianity, coinciding with the deterioration of glassmaking.

By the 12th century Philippe-Auguste of France had passed a statute forming the first guild of parfumeurs, and by the 13th century Venetian (Venetian glass) glassmaking had become well established. In the 16th, 17th, and particularly the 18th centuries, the scent bottle assumed varied and elaborate forms: they were made in gold, silver, copper, glass, porcelain, enamel, or any combination of these materials; 18th-century porcelain perfume bottles were shaped like cats, birds, clowns, and the like; and the varied subject matter of painted enamel bottles included pastoral scenes, chinoiseries, fruits, and flowers.

By the 19th century classical designs, such as those created by the English pottery ware maker Josiah Wedgwood (Wedgwood, Josiah), came into fashion; but the crafts connected with perfume bottles had deteriorated. In the 1920s, however, René Lalique (Lalique, René), a leading French jeweller, revived interest in the bottles with his production of molded glass examples, characterized by iced surfaces and elaborate relief patterns.