one of the most original and interesting of French early 17th-century poets and one of the first members of the French Academy.

The early poems of Saint-Amant are realistic and hilarious descriptions of the pleasures of the table and the tavern. A reflection of the long journeys abroad that he undertook with his patron, the Count d'Harcourt, is seen, for example, in Albion (1643). This mock-heroic poem contains a disenchanted account of a visit to England and includes an informative description of the London theatres. His Rome ridicule (1649) started the fashion for burlesque poems that was to be developed later by Paul Scarron. Saint-Amant was a Protestant who converted in later life to Roman Catholicism. His biblical epic, Moïse sauvé (1653; “Moses Rescued”), though uneven, contains passages of great force and vividness.

After enjoying a favourable reputation during his lifetime, he was ridiculed by the influential critic Nicolas Boileau, and his work was neglected for more than two centuries. Scholars of the 20th century found in Saint-Amant one of the most accomplished representatives of the school of irregular poets who flourished in the first half of the 17th century.