Scottish poet remembered for a single poem, The Grave, which was influential in giving rise to the graveyard school (q.v.) of poetry.

Educated in Edinburgh and Holland, Blair was ordained in 1731 and appointed to Athelstaneford, East Lothian. He was happily married, had six children, and devoted his leisure to poetry, botany, and optical experiments.

The Grave (1743), a long, uneven poem in blank verse, is a reflection on human mortality in mortuary imagery. Though it appeared a year after Edward Young's The Complaint: Or, Night-Thoughts on Life, Death, & Immortality, it is apparently uninfluenced by that work but reflects the general tendency to exploit sensibility and pathos that coexisted peacefully with 18th-century Rationalism. The Grave has none of the oppressive self-pity or pretentiousness of Night-Thoughts. Its blend of Scottish ghoulishness and brisk sermonizing is presented in Shakespearean rhythms with a certain natural cheerfulness. William Blake (Blake, William) made 12 illustrations that appeared in the 1808 edition.