American film actress who transcended the early roles of her career, when she often played characters who were highly sensual but little else, to become a performer of considerable versatility and emotional depth. In 1995 she won an Academy Award for her unglamorous yet engaging performance as a nun counseling death-row prisoners in Dead Man Walking.

After graduating with a degree in drama from Catholic University of America (B.A., 1968), Washington, D.C., Sarandon worked as a model and appeared in small film roles and television work, notably in the soap opera A World Apart. In 1975 she shined as the ingenue in the cult favourite The Rocky Horror Picture Show and starred opposite Robert Redford in The Great Waldo Pepper.

Two films directed by Louis Malle (Malle, Louis) (with whom she was romantically involved) brought her greater attention: Pretty Baby (1978) and Atlantic City (1981). In both films Sarandon played women who are initially presented simply as objects of male desire but who later reveal their underlying intelligence and independence. Her performance in Atlantic City led to her first Oscar nomination. She next appeared as a modern-day Ariel in the comedy-drama Tempest (1982) and as a scientist-turned-vampire in the horror film The Hunger (1984), although the films were less successful.

Her portrayal of a sultry literature instructor in the romantic comedy Bull Durham (1988) established her star status. The film also introduced her to Tim Robbins, with whom she began a family; the pair became known as active promoters of leftist causes. Sarandon won further Academy Award nominations for her roles as the worldly waitress-turned-outlaw in Thelma & Louise (1991), a mother searching for a cure for her son's disease in Lorenzo's Oil (1992), a novice lawyer in The Client (1994), and Sister Helen Prejean in Dead Man Walking, which was written and directed by Robbins. Sarandon again worked with Robbins in his film about the WPA Federal Theatre Project, Cradle Will Rock (1999), in which a group of actors attempt to produce a left-leaning musical during the 1930s.

In the early 2000s Sarandon starred in such comic dramas as Igby Goes Down (2002) and Elizabethtown (2005). Later she returned to political themes and brought her antiwar sentiments to the screen with In the Valley of Elah (2007). In it, Sarandon played the distraught mother of a soldier who disappears after returning home from a tour of duty in the Iraq War.