Venetian painter whose largely derivative works are distinguished by their craftsmanship and sense of colour.

A pupil of Liberale de Verona, Caroto came under the influence of the vigorous linearism and classical orientation of Andrea Mantegna during a sojourn in Mantua. Returning to Verona, he painted religious works and portraits in oil, tempera, and fresco. Among his important earlier works is the “Entombment” (National Gallery of Art, Washington, D.C.); two of his principal later works are the “Madonna in Glory with Saints” (1528; San Fermo Maggiore, Verona) and “St. Ursula” (1545; San Giorgio, Verona). Both works show the influence of the Milanese Cinquecento, with which he became familiar during his repeated journeys to Milan. The landscape backgrounds of his half-length Madonnas sometimes convey a feeling of mystery suggestive of the works of Leonardo da Vinci, and his later style owes something to the classicism of Raphael. Caroto was the leading artist in Verona until his death.