“Carreño de Miranda, Juan”的意思、由来-百科全书

Carreño de Miranda, Juan

Spanish painter

born March 25, 1614, Avilés, Asturias, Spain

died Oct. 3, 1685, Madrid

painter, considered the most important Spanish court painter of the Baroque period after Diego Velázquez (Velázquez, Diego). Influenced and overshadowed both by Velázquez and Sir Anthony Van Dyck (Van Dyck, Sir Anthony), he was nonetheless a highly original and sensitive artist in his own right.

Carreño studied painting under Pedro de las Cavas and Bartolomé Román. He assisted Velázquez in the decoration of the Alcázar in Madrid and the other royal palaces and was appointed painter to King Charles II in 1669 and court painter in 1671.

Although he is known primarily as a portraitist, he also painted many religious works in oil and fresco that reveal a unique Baroque sensibility. Such works as his masterpiece, Founding of the Trinitarian Order (1666), are marked by mastery of execution, subtle interplay of light and shadow, and inventiveness of scene. Following the tradition of Velázquez' court portraits, he painted many pictures of the queen mother, Mariana of Austria, and traced in oil the decline of Charles II from a handsome child to a decrepit old man. Even the most repellent portraits of Charles possess the aristocratic elegance that characterize Carreño's paintings.

词条	Carreño de Miranda, Juan
释义	Carreño de Miranda, Juan Spanish painter born March 25, 1614, Avilés, Asturias, Spain died Oct. 3, 1685, Madrid painter, considered the most important Spanish court painter of the Baroque period after Diego Velázquez (Velázquez, Diego). Influenced and overshadowed both by Velázquez and Sir Anthony Van Dyck (Van Dyck, Sir Anthony), he was nonetheless a highly original and sensitive artist in his own right. Carreño studied painting under Pedro de las Cavas and Bartolomé Román. He assisted Velázquez in the decoration of the Alcázar in Madrid and the other royal palaces and was appointed painter to King Charles II in 1669 and court painter in 1671. Although he is known primarily as a portraitist, he also painted many religious works in oil and fresco that reveal a unique Baroque sensibility. Such works as his masterpiece, Founding of the Trinitarian Order (1666), are marked by mastery of execution, subtle interplay of light and shadow, and inventiveness of scene. Following the tradition of Velázquez' court portraits, he painted many pictures of the queen mother, Mariana of Austria, and traced in oil the decline of Charles II from a handsome child to a decrepit old man. Even the most repellent portraits of Charles possess the aristocratic elegance that characterize Carreño's paintings.
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