French-Canadian poet who was the primary force behind the founding of the Montreal Literary School (1895), a group of symbolists and aesthetes who reacted against the traditional Canadian themes of patriotism and local colour and, following the French Parnassians, espoused the principle of art for art's sake. Charbonneau later wrote the only history of the school, L'École littéraire de Montréal (1935; “The Literary School of Montreal”). A lawyer by profession, he also worked as a translator for the Quebec legislature (1935–47). In 1912 Charbonneau wrote Les Blessures (“The Wounds”), the first of several volumes of poetry that dealt primarily with philosophical speculation and myth. Sur la borne pensive (1952; “On the Bounds of Thought”), which invites his readers into a garden of delights where life is a spectacle of Persian lilacs, pergolas, fountains, and ruined temples, is characteristic of his mature style.