English dramatist, one among many of the versatile, popular writers of the Elizabethan Age.

Chettle began his career as a printer and associated with such literary men as Robert Greene (Greene, Robert) and Thomas Nashe (Nashe, Thomas). He prepared for posthumous publication Greenes Groats-Worth of Witte (1592), with its reference to Shakespeare (Shakespeare, William) as an “upstart Crow,” but offered Shakespeare compliments and an olive branch in his own Kind-Harts Dreame (1592), a topical satire framed in a dream fable. Chettle's Piers Plainnes Seaven Yeres Prentiship (1595) is a picaresque romance. Francis Meres (Meres, Francis), in Palladis Tamia (1598), commends him as “one of our best for comedy,” and between 1598 and 1603 Chettle is known to have had a hand in 49 plays. Of these only five were published: The Downfall of Robert, Earle of Huntington (1601), a play mainly by Anthony Munday (Munday, Anthony), revised by Chettle; The Death of Robert, Earle of Huntington (1601), written with Munday; The Pleasant Comodie of Patient Grissill (1603), with Thomas Dekker (Dekker, Thomas) and William Haughton; the posthumously published The Blind-Beggar Of Bednal-Green (1600, printed 1659), with John Day; and the revenge (revenge tragedy) play The Tragedy of Hoffman (printed 1631), which is the only extant play attributed to Chettle alone.