Puerto Rican lyric poet who enriched the vocabulary of Spanish poetry with words, themes, and rhythms of African and Afro-American folklore and dance.

Palés Matos wrote his first poetry, which was collected in Azaleas (1915), in imitation of the fashionable modernist trends, but he soon found his own direction in his personal interpretation (as a white man) of black culture. His poems on black themes firmly established his literary reputation and gave impetus to the developing concern of Spanish Americans with the African elements in their heritage.

Palés Matos, unlike others in what became known as the Negro poetry movement, did not strive for authenticity. He preferred to evoke a culture as a poet rather than as a sociologist. For this freely inventive approach to black themes he was sometimes criticized by those more concerned with accuracy than with poetic merit; his ironic, often skeptical note has been interpreted by some as condescension. His mastery of poetic form and language was widely acknowledged, however. Although he was best known for his “Negro poetry,” his reflective and introspective personality found expression in poetry of many other moods and themes. The collection Poesía, 1915–56 (1957) reveals his more personal side as a lyric poet and as a melancholy man, ill at ease in the modern world.