词条 | contrapposto |
释义 | contrapposto art ![]() Gothic sculpture occasionally retained the idea of a supporting and a bent leg, transforming it so that the figure appeared to rise from, rather than rest heavily upon, the ground. Italian Renaissance artists such as Donatello and Andrea del Verrocchio (Verrocchio, Andrea del) revived the classical formula, giving it the name contrapposto, which suggests the action and reaction of the various parts of the figure, and enriching the conception by scientific anatomical study. Michelangelo introduced a tension of masses by pushing one forward and another back—thrusting an arm forward over a receding leg, for instance. The “ David,” which exemplifies his method, deeply influenced Gian Lorenzo Bernini and other Baroque sculptors. In modern times, contrapposto has been used for naturalistic representations of the relaxed standing figure, as in Aristide Maillol's “Venus with a Necklace” (c. 1918–28). |
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