French avant-garde literary review published from 1960 to 1982 by Éditions du Seuil. Founded by Philippe Sollers and other young writers, this eclectic magazine published works by such practitioners of the nouveau roman (“new novel”) as Alain Robbe-Grillet (Robbe-Grillet, Alain) and Nathalie Sarraute (Sarraute, Nathalie), as well as works by these writers' acknowledged predecessors— e.g., James Joyce (Joyce, James) and Francis Ponge (Ponge, Francis).

Much influenced by Surrealism, Tel Quel had as a goal the evaluation of 20th-century literature; it printed previously unpublished works by Antonin Artaud (Artaud, Antonin), Georges Bataille (Bataille, Georges), and Ezra Pound (Pound, Ezra), as well as contemporary literary criticism by Michel Foucault (Foucault, Michel), Jacques Derrida (Derrida, Jacques), Julia Kristeva (Kristeva, Julia), Roland Barthes (Barthes, Roland), and Jacques Lacan (Lacan, Jacques). From 1966 to 1970 Tel Quel represented a Maoist view of Marxism.

From 1974 the review relinquished political involvement, becoming a supporter of such intellectuals as Bernard-Henri Lévy and André Glucksmann and others in the “new philosophers” movement. The critical orientation of Tel Quel shifted toward the classical Greco-Hebrew tradition, including discussion of biblical and theological questions. Its new stance included unequivocal support of worldwide human rights and the beginnings of an appreciation of modern culture, particularly that of the United States.