“Euthymides”的意思、由来-百科全书

Euthymides

Athenian vase painter

flourished c. 515–500 BC

an early adopter of the Athenian (Greek pottery) red-figure technique (red-figure pottery), a contemporary and perhaps rival of Euphronius. He is admired for his explorations in foreshortening and for his studies in movement, both departures from Archaic convention.

Euthymides' signature has been found on eight vases (six as painter, two as potter), and he is remembered for his inscription on an amphora in Munich: “Euphronius never did anything this good.” An amphora signed by Euthymides representing “Revelers” is a study in foreshortening and in three-quarters view. Now in the Antikensammlungen at Munich, it dates from about 510 to 500 BC. Other works include an “Arming of Hector” and “Heracles Fighting the Amazons.”

In addition to his vase painting it is possible that Euthymides made a small clay plaque for the Athenian acropolis. It was of a “Warrior,” painted partly in black-figure, partly in outline.

Euthymides was interested in those aspects of painting that were to concern the masters of the Classical period: foreshortening, movement, form, and space.

词条	Euthymides
释义	Euthymides Athenian vase painter flourished c. 515–500 BC an early adopter of the Athenian (Greek pottery) red-figure technique (red-figure pottery), a contemporary and perhaps rival of Euphronius. He is admired for his explorations in foreshortening and for his studies in movement, both departures from Archaic convention. Euthymides' signature has been found on eight vases (six as painter, two as potter), and he is remembered for his inscription on an amphora in Munich: “Euphronius never did anything this good.” An amphora signed by Euthymides representing “Revelers” is a study in foreshortening and in three-quarters view. Now in the Antikensammlungen at Munich, it dates from about 510 to 500 BC. Other works include an “Arming of Hector” and “Heracles Fighting the Amazons.” In addition to his vase painting it is possible that Euthymides made a small clay plaque for the Athenian acropolis. It was of a “Warrior,” painted partly in black-figure, partly in outline. Euthymides was interested in those aspects of painting that were to concern the masters of the Classical period: foreshortening, movement, form, and space.
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