“Gaddi, Agnolo”的意思、由来-百科全书

Gaddi, Agnolo

Italian artist

born c. 1350, , Florence 【Italy】

died Oct. 16, 1396, Florence

son and pupil of Taddeo Gaddi, who was himself the major pupil of the Florentine master Giotto (Giotto di Bondone). Agnolo was an influential and prolific artist who was the last major Florentine painter stylistically descended from Giotto.

In 1369 he was employed in Rome as an assistant to his brother Giovanni, a minor painter, in the execution of frescoes for Pope Urban V in the Vatican. In the 1380s he executed his most ambitious works, a series of frescoes in the choir of Santa Croce in Florence illustrating the “Legend of the True Cross” (see photograph-->

). In these frescoes Agnolo sacrificed expression for design, and his overall concern with optical unification of the composition replaces Giotto's concentration on figures, thereby revealing the new approach toward painting of the International Gothic style. Between 1383 and 1386 Agnolo designed medallions representing the virtues for the Loggia dei Lanzi in Florence, and between 1387 and 1395 his name appears as the designer or gilder of statues for the facade of the Cathedral of Florence. In 1394–96 he painted a cycle of scenes from the life of the Virgin in the Cathedral of Prato. His death in 1396 left unfinished an altar of the Crucifixion in San Miniato al Monte outside Florence.

Additional Reading

Bruce Cole, Agnolo Gaddi (1977).

词条	Gaddi, Agnolo
释义	Gaddi, Agnolo Italian artist born c. 1350, , Florence 【Italy】 died Oct. 16, 1396, Florence son and pupil of Taddeo Gaddi, who was himself the major pupil of the Florentine master Giotto (Giotto di Bondone). Agnolo was an influential and prolific artist who was the last major Florentine painter stylistically descended from Giotto. In 1369 he was employed in Rome as an assistant to his brother Giovanni, a minor painter, in the execution of frescoes for Pope Urban V in the Vatican. In the 1380s he executed his most ambitious works, a series of frescoes in the choir of Santa Croce in Florence illustrating the “Legend of the True Cross” (see photograph-->). In these frescoes Agnolo sacrificed expression for design, and his overall concern with optical unification of the composition replaces Giotto's concentration on figures, thereby revealing the new approach toward painting of the International Gothic style. Between 1383 and 1386 Agnolo designed medallions representing the virtues for the Loggia dei Lanzi in Florence, and between 1387 and 1395 his name appears as the designer or gilder of statues for the facade of the Cathedral of Florence. In 1394–96 he painted a cycle of scenes from the life of the Virgin in the Cathedral of Prato. His death in 1396 left unfinished an altar of the Crucifixion in San Miniato al Monte outside Florence. Additional Reading Bruce Cole, Agnolo Gaddi (1977).
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