Italian painter, one of the 17th-century Bolognese masters trained in the studio of the Carracci. He assisted Guido Reni (Reni, Guido) in a number of major decorative cycles, including that of the Chapel of the Annunciation (1609–12) in the Quirinal Palace and the choir (1612–14) of Santa Maria della Pace.

Albani lived for several years in Rome, where he had his own academy. There he painted, after the designs of Annibale Carracci (Carracci, Annibale), the whole of the frescoes in the Chapel of San Diego in the Church of San Giacomo degli Spagnuoli. He also worked with Carracci on the lunettes designed for the chapel of Pietro Aldobrandini's Roman palace (now part of the Doria Pamphili Palace). Because of Carracci's illness and death, Albani took over many of the landscapes, including Landscape with the Assumption (c. 1604), and completed them in the Bolognese style of a carefully arranged landscape that creates an effect of solemnity, balance, and serious-mindedness. His best-known frescoes are on mythological subjects, such as the Dance of the Amorini (c. 1625). In 1616 he returned to Bologna, where he remained except for visits to Mantua in 1621–22 and Florence in 1633.