Samoan novelist and poet who wrote about present-day Samoan life. Perhaps the best-known writer in the South Pacific, Wendt sought to counteract the frequently romanticized, often racist literature about Polynesians written by outsiders.

Born into a Samoan family with a German great-grandfather, Wendt was educated at Victoria University, New Zealand (M.A., 1964). He edited several collections of modern poetry, including Lali, A Pacific Anthology (1980), and promoted the culture and arts of the Pacific Islands. In 1977 Wendt established in Western Samoa (now Samoa) a branch of the University of the South Pacific; through satellite television, classes and lectures were broadcast throughout the southern Pacific region. He taught at colleges and universities in Western Samoa, Fiji, and New Zealand.

Wendt synthesized the history, myths, and other oral traditions with contemporary written fiction, unifying them with his unique vision. His fiction portrays the traditions and mores of the papalagi (people descended from Europeans) and depicts their effect on Samoan culture. An early example of this theme appears in Sons for the Return Home (1973), his first novel. His other novels include Pouliuli (1977), which is a Polynesian version of King Lear, and a Samoan family saga, Leaves of the Banyan Tree (1979). Wendt's short-story collections include Flying-Fox in a Freedom Tree (1974) and The Birth and Death of the Miracle Man (1986), and his poetry is collected in Inside Us the Dead: Poems 1961 to 1974 (1976), Shaman of Visions (1984), and Photographs (1995). His later fiction includes Ola (1991) and Black Rainbow (1992).