Girodet-Trioson won the Prix de Rome (1789) for his “Joseph Recognized by His Brothers,” which was influenced by the cold, sober Neoclassicism of his teacher, Jacques-Louis David. In “The Sleep of Endymion” (1792; Louvre, Paris) Girodet-Trioson displays a new emotional element akin to the troubled Romanticism of the novelist Chateaubriand. Girodet-Trioson let his literary interest take full reign in the composition of “Ossian Receiving the Generals of Napoleon at the Palace of Odin” (1801), painted for Napoleon's residence, Malmaison. He continued to paint literary subjects in such works as “Entombment of Atala” (1808; Louvre). The latter picture, together with a windswept portrait of Chateaubriand meditating before the Roman Colosseum (1809; Versailles), is most typical of his work. Upon inheriting a large fortune (1812), Girodet-Trioson ceased painting, shuttered himself from daylight, and wrote poetry, adjudged unreadable, on aesthetics.