Norwegian poet whose sunny songs of simple sensual pleasure are unusual in the sombre history of Norwegian verse.

When in 1904 the steamer Norge wrecked on a trip to the United States, with 600 or more passengers aboard, Wildenvey was among the few who survived. After returning to Norway from three years in America, where he had studied haphazardly and held odd jobs, he worked as a hotel porter and tour guide while he wrote his first highly successful collection of verse, Nyinger (1907; “Bonfires”). Wildenvey developed a technique of constructing his verse so as to give it a formal lightness matching its mood, as in collections such as Kjærtegn (1916; “Caresses”), Høstens lyre (1931; “The Lyre of Autumn”), and many others. He was able to extract fresh effects from language and give new life to the most hackneyed phrases. Owls to Athens, a selection of his poems in English translation, was published in 1935.