Brazilian novelist and diplomat, best remembered for his novel Canaã (1902; Canaan, 1920), in which he explored the conflicts of the Brazilian ethnic melting pot through the varied perspectives and problems of two German immigrants. With its philosophical digressions and lyrical descriptions, Canaã, a “novel of ideas,” was influential in introducing readers throughout the world to the beauties of the Brazilian landscape and the problems of Brazilian society.

Widely travelled in Europe as a diplomat and distinguished in Brazil as a founding member of the Brazilian Academy of Letters, Graça Aranha was a prominent spokesman for social, political, and artistic reform throughout his literary and public career. His innovating spirit did not decline with age: in the 1920s he was closely associated with young radicals of the Modernist movement in Brazil, and in 1924 he resigned in protest from the Academy because he felt its standards were formalistic and stifling. Constantly experimenting in his own work with avant-garde literary techniques, he adopted the Modernist idiom, employing elliptical sentences and inventing new words in a novel published the year before his death, A viagem maravilhosa (1929; “The Marvelous Journey”). His aesthetic views were further publicized in his essays A estética da vida (1925; “The Aesthetics of Life”) and O espírito moderno (1925; “The Modern Spirit”).