“Hirst, Damien”的意思、由来-百科全书

Hirst, Damien

British artist

in full Damien Steven Hirst

born June 7, 1965, Bristol, Eng.

British assemblagist and conceptual artist whose deliberately provocative art addressed vanitas and beauty, death and rebirth, and medicine, technology, and mortality. Considered an enfant terrible of the 1990s art world, Hirst presented dead animals in formaldehyde as art. Like the French artist Marcel Duchamp (Duchamp, Marcel), Hirst employed ready-made objects to a shocking effect, and in the process he questioned the very nature of art. In 1995 he won Tate Britain's Turner Prize, Great Britain's premier award for contemporary art.

Hirst grew up in Leeds and moved to London in the early 1980s. He began his artistic life as a painter and assemblagist. From 1986 to 1989 he attended Goldsmiths College in London, and during this time he curated an influential student show, “Freeze,” which was attended by the British advertising mogul and art collector Charles Saatchi (Saatchi, Charles). The exhibition showcased the work of a group of Hirst's classmates who later became known as the successful Young British Artists of the 1990s. Hirst's reputation as both an artist and a provocateur quickly soared. His displays of animals in formaldehyde and his installations complete with live maggots and butterflies were seen as reflections on mortality and the human unwillingness to confront it. Most of his works were given elaborate titles that underscored his general preoccupation with mortality.

Hirst's later work included paintings made by spin machines, enlarged ashtrays filled with cigarette butts, and monumental anatomical models of the human torso. His references to other artistic movements and artists were many. The common format of massive glass vitrines, for example, relied on the precedent of minimalism, while his use of found materials and assistants in making the work links him to other artists of the era, such as the American Jeff Koons (Koons, Jeff), who purposefully demystified the role of the artist's hand. In addition to making art, Hirst wrote books, designed restaurants, collaborated on pop music projects, and experimented with film.

Additional Reading

Exhibition catalogues include Institute of Contemporary Arts (London), Damien Hirst (1991); and Saatchi Gallery, Damien Hirst: Pictures from the Saatchi Gallery (2001). An exhibition catalogue from a show that Hirst curated is Damien Hirst and Ian Jeffreys, Freeze (1988).

词条	Hirst, Damien
释义	Hirst, Damien British artist in full Damien Steven Hirst born June 7, 1965, Bristol, Eng. British assemblagist and conceptual artist whose deliberately provocative art addressed vanitas and beauty, death and rebirth, and medicine, technology, and mortality. Considered an enfant terrible of the 1990s art world, Hirst presented dead animals in formaldehyde as art. Like the French artist Marcel Duchamp (Duchamp, Marcel), Hirst employed ready-made objects to a shocking effect, and in the process he questioned the very nature of art. In 1995 he won Tate Britain's Turner Prize, Great Britain's premier award for contemporary art. Hirst grew up in Leeds and moved to London in the early 1980s. He began his artistic life as a painter and assemblagist. From 1986 to 1989 he attended Goldsmiths College in London, and during this time he curated an influential student show, “Freeze,” which was attended by the British advertising mogul and art collector Charles Saatchi (Saatchi, Charles). The exhibition showcased the work of a group of Hirst's classmates who later became known as the successful Young British Artists of the 1990s. Hirst's reputation as both an artist and a provocateur quickly soared. His displays of animals in formaldehyde and his installations complete with live maggots and butterflies were seen as reflections on mortality and the human unwillingness to confront it. Most of his works were given elaborate titles that underscored his general preoccupation with mortality. Hirst's later work included paintings made by spin machines, enlarged ashtrays filled with cigarette butts, and monumental anatomical models of the human torso. His references to other artistic movements and artists were many. The common format of massive glass vitrines, for example, relied on the precedent of minimalism, while his use of found materials and assistants in making the work links him to other artists of the era, such as the American Jeff Koons (Koons, Jeff), who purposefully demystified the role of the artist's hand. In addition to making art, Hirst wrote books, designed restaurants, collaborated on pop music projects, and experimented with film. Additional Reading Exhibition catalogues include Institute of Contemporary Arts (London), Damien Hirst (1991); and Saatchi Gallery, Damien Hirst: Pictures from the Saatchi Gallery (2001). An exhibition catalogue from a show that Hirst curated is Damien Hirst and Ian Jeffreys, Freeze (1988).
随便看	Franscini, Stefano Frans Cornelis Donders Frans Eemil Sillanpää Frans Ferdinand Blom Frans Gunnar Bengtsson Frans Hals Frans I Floris Frans Mikael Franzén Frans Snyders Frans van Mieris, The Elder Frans van, The Elder Mieris Frantisek Tomasek František Benda František Kupka František Ladislav Rieger František Langer František Palacký Františkovy Lázně Frantz Fanon Franz Alexander Franz Anton Bustelli Franz Anton Mesmer Franz Anton, Prince zu Thun und Hohenstein Franz Anton Thun und Hohenstein, Prince zu Franz Beckenbauer