Hungarian-born screenwriter who wrote and produced innovative and visually striking motion pictures in collaboration with British director Michael Powell (Powell, Michael), most notably The Red Shoes (1948).

Pressburger studied engineering in Prague and Stuttgart, but in 1925 he went to Berlin, where he became a scriptwriter at the German film company Ufa. He settled in Britain (1935) and launched his partnership with Powell with The Spy in Black (1939; U.S. title U-Boat). In 1941 he won an Academy Award for best original story for their third film, The 49th Parallel (U.S., The Invaders).

From 1942 Pressburger and Powell shared equal credit for writing, producing, and directing the 14 films that were released by their joint production company, The Archers. The team's most successful films, which were notable for their use of lavish sets and vivid colours, included The Life and Death of Colonel Blimp (1943), A Canterbury Tale (1944), Black Narcissus (1947), A Matter of Life and Death (1946; U.S. Stairway to Heaven), and The Tales of Hoffman (1951). After The Archers was amicably disbanded in 1956, Pressburger wrote two novels, Killing a Mouse on Sunday (1961; filmed as Behold a Pale Horse, 1964) and The Glass Pearls (1966). He was named fellow of the British Film Institute in 1983.