Karlfeldt's strong ties to the peasant culture of his rural homeland remained a dominant influence on him all his life. The peasants whom he portrayed are, as one critic put it, “in harmony with nature and the seasons”; their culture is sometimes threatened by the erotic, anarchic Pan. Karlfeldt published his most important works in six volumes of verse: Vildmarks- och kärleksvisor (1895; “Songs of Wilderness and of Love”), Fridolins visor (1898; “Fridolin's Songs”), Fridolins lustgård (1901; “Fridolin's Pleasure Garden”), Flora och Pomona (1906; “Flora and Pomona”), Flora och Bellona (1918; “Flora and Bellona”), and finally, four years before his death, Hösthorn (1927; “The Horn of Autumn”). Some of his poems have been published in English translation in Arcadia Borealis: Selected Poems of Erik Axel Karlfeldt (1938). He was a beloved Neoromantic poet whose occasional artistic complexity was emotional rather than intellectual. In time, even some of his admirers criticized him for employing his gifts so exclusively in the service of a dying local culture.