Iranian director-writer known for experimenting with the boundaries between reality and fiction.

Kiarostami was hired in 1969 by the Institute for the Intellectual Development of Children and Young Adults to establish its film division. The institute produced his first film as a director, the lyrical short Nan va kucheh (1970; “Bread and Alley”), which featured elements that would define his later work: improvised performances, documentary textures, and real-life rhythms. His first feature, Mosafer (1974; “The Traveler”), is an indelible portrait of a troubled adolescent. In the 1980s Kiarostami created the documentaries Avaliha (1985; “First Graders”) and Mashq-e shab (1989; “Homework”), both of which offered insight into the lives of Iranian schoolchildren.

Kiarostami explored the overlap between films and reality through the 1990s in films such as Namay-e nazdik (1990; “Close-Up”), which tells the story of a film buff who swindles a Tehran family. His film Badkonake sefid (1995; “The White Balloon”), a look at life through the eyes of a seven-year-old girl, garnered him international acclaim.