born January 4, 1881, Meiderich, near Duisburg, Germany

died March 25, 1919, Berlin

In 1910 Lehmbruck moved to Paris, where he executed not only sculptures but also a number of paintings, etchings, and lithographs. The rounded, simplified forms of his sculpture Standing Woman (1910) reveal his new enthusiasm for the calm Classicism of the French sculptor Aristide Maillol (Maillol, Aristide). In this sculpture, the idealized face is softly modeled and evokes a sensitive, introspective mood. Lehmbruck's style became less naturalistic and more psychologically powerful with sculptures such as Kneeling Woman (1911). The harmonious repose of this figure's angular, elongated limbs and her melancholy facial expression suggest a resigned pessimism, an attitude that characterizes Lehmbruck's mature works.

At the outbreak of World War I Lehmbruck returned to Germany, where he worked in a hospital. His experiences with wounded and dying soldiers led him to create such poignant works as The Fallen (1915–16) and Seated Youth (1918), which indicate the artist's state of utter depression. He committed suicide one year later. Although he was not involved in the German Expressionist (Expressionism) movement, the emotionalism and elongated features of his sculptures have led critics and historians to associate Lehmbruck with Expressionism.