poet and dramatist, a late proponent of classical tragedy over Romanticism, and the originator of French historical comedy.

An accident caused Lemercier lifelong partial paralysis, which he faced with considerable courage. He made a precocious literary debut, attempting a comedy at age 9 and having his first tragedy, Méléagre, produced at the Comédie-Française before he was 16. His Tartuffe révolutionnaire (1795) created a succès de scandale and was quickly suppressed because of its bold political allusions. The orthodox tragedy Agamemnon (1794) was probably Lemercier's most celebrated play. Pinto (1800), a historical comedy treating the Portuguese revolution of 1640, was original in attempting to divest historical events of poetic ornament and the high seriousness of tragedy, thus foreshadowing Eugène Scribe's unheroic approach. This more experimental attitude was also shown in Christophe Colomb (1809), a Shakespearean comedy, and Richard III et Jeanne Shore (1824), imitated from William Shakespeare and Nicholas Rowe. Despite these excursions outside the classical realm, Lemercier had no sympathy with the Romantics, and in the Académie Française, to which he was elected in 1810, he consistently opposed them, refusing his vote to Victor Hugo's (Hugo, Victor) admittance. The most successful of his later plays was Frédégonde et Brunehaut (1821), a “regular” tragedy in which he claimed to portray, from early French history, a modern equivalent of the classic house-of-Atreus theme. Most of his plays were helped by the acting of the great tragedian François-Joseph Talma. Lemercier also wrote a number of philosophical epic poems. His reputation as a writer declined long before his death.