African-American short-story writer whose realistic, character-driven fiction examines racial tension, the mysteries of love, and the pain of isolation. Despite his coming of age as a writer during the black aesthetic movement, his stories transcend issue-oriented politics.

McPherson was educated at Morgan State University, Baltimore, Md. (1963–64), Morris Brown College, Atlanta, Ga., (B.A., 1965), Harvard University Law School (LL.B., 1968), and the University of Iowa (M.F.A., 1969). He launched his literary career with the short story “Gold Coast,” which won a contest in the Atlantic Monthly in 1968, and he became a contributing editor of the magazine in 1969. “Gold Coast” examines the race, class, and age barriers between Robert, a black Harvard student who aspires to be a writer, and James Sullivan, an older white janitor who seeks companionship.

In 1968 McPherson published his first volume of short fiction, Hue and Cry. In addition to “Gold Coast,” the bleak tales of Hue and Cry include the title story, about interracial relationships; “Solo Song: For Doc,” about the decline of an elderly waiter; “An Act of Prostitution,” about the inconsistencies of the justice system; and “On Trains,” about racial prejudice. His next collection, Elbow Room (1977), won a Pulitzer Prize in 1978. The stories in this book—among them “Elbow Room,” “A Loaf of Bread,” and “Widows and Orphans”—balance bitterness with hope.