one of the most influential set designers in Anglo-American filmmaking, whose work on The Tempest and The Dove in 1927–28 won the first Oscar awarded by the Motion Picture Academy of Arts and Sciences for art direction.

Menzies' reputation derives from the opulent fairy-tale settings of such films as The Thief of Bagdad (1924) and The Beloved Rogue (1927), as well as extravagantly detailed historical spectacles such as Gone with the Wind (1939). His work on the latter, for which he won a second Oscar, was so broad in scope that he got credit as “production designer.” He directed several films, including Things to Come (1936), for which he also designed remarkable sets.

Menzies often used forced perspective: making actual depths appear much greater than they were. Another of his techniques was to use broken diagonal barriers—fences, walls, or railings—to emphasize tension, grief, or separation.