first outstanding French actor, whose presentations of the works of Corneille were especially notable.

Montdory began his theatrical career in 1612 in a troupe led by Valleran Le-Comte, a company specializing in the tragicomedies of Alexandre Hardy. A member of the company of the Prince of Orange in 1622, Montdory gained a foothold in Paris in 1629, when he, with his associate Charles Le Noir, established a playhouse in one of the indoor tennis courts. Immediate success came with the performance of Pierre Corneille's first play, Mélite. After opening the Théâtre du Marais (another converted tennis court) in 1634, Montdory, who had produced all the earlier plays of Corneille, in 1636 staged Le Cid, playing the part of Rodrigue in Corneille's masterpiece. In contrast with his predecessors, Montdory never acted in farce. Among the principal tragic parts that he created were Masinisse in Jean Mairet's Sophonisbe, Brutus in Georges de Scudéry's La Mort de César (The Death of Caesar), and Jason in Corneille's Médée (Medea). As an actor he was a great conveyor of passions, employing very little stylization. In 1637, while playing Hérode in Marianne by Tristan l'Hermite, he suffered a stroke that paralyzed him and had to retire.