词条 | Ohio Players, the |
释义 | Ohio Players, the American music group Introduction ![]() Formed in 1959 as the Ohio Untouchables by singer-guitarist Robert Ward (b. Oct. 15, 1938, Luthersville, Ga.—d. Dec. 25, 2008, Dry Branch, Ga.)—who departed for a solo career some two years later—the group first recorded as a backing band for the vocal group the Falcons, featuring Wilson Pickett (Pickett, Wilson). Having changed their name, the Ohio Players signed to Westbound records in 1971 and fused rhythm and blues, rock, jazz, and eclectic album art to create a regional brand of heavy funk. The band's first national hit was the 1972 novelty song “Funky Worm,” which featured the comic vocal characters of keyboardist Morrison (who promptly left the group and later joined Parliament-Funkadelic). With Beck as Morrison's replacement on keyboards, Williams replacing Webster on drums, and guitarist-vocalist Bonner playing an expanded role, the Ohio Players fashioned a sleek yet raucous sound that appealed to fans of soul (soul music), rock, and disco. A series of five gold albums followed from 1974 to 1976: Skin Tight, Fire, Honey, Contradiction, and Gold, including two chart-topping pop hits, “Fire” (1974) and “Love Rollercoaster” (1975). The Ohio Players enjoyed a glittery high-fashion image and created a rock controversy with their risqué album covers. Yet their diverse, highly original music was steeped in Midwestern blues and influenced a number of contemporary funk and soul groups. They were the most successful of a series of Ohio-based soul and funk artists in the 1970s that included Lakeside, Slave, and Zapp, featuring Roger Troutman. Representative Works ● Pain (1971) ● Pleasure (1972) ● Ecstasy (1973) ● Fire (1974) ● Skin Tight (1974) ● Honey (1975) ● Contradictions (1976) ● Gold (1976) ● Angel (1977) Additional Reading The Ohio Players are covered in Rickey Vincent, Funk: The Music, the People, and the Rhythm of the One (1996), pp. 195–198; Colin Larkin (ed.), The Guinness Encyclopedia of Popular Music, 2nd ed., vol. 4 (1995); and Patricia Romanowski, Holly George-Warren, and Jon Pareles (eds.), The New Rolling Stone Encyclopedia of Rock & Roll (1995), p. 726. The recording of their top singles is chronicled in Adam White and Fred Bronson, The Billboard Book of Number One Rhythm & Blues Hits (1993). |
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