Soviet painter, sculptor, designer, and photographer, an important member of the Constructivist movement.

Rodchenko studied art at the Kazan School of Art in Odessa from 1910 to 1914 and then went to Moscow. He soon abandoned a Futurist style of painting in favour of a completely abstract, highly geometric style using a ruler and compass. His first major show was part of an exhibition organized in Moscow in 1916 by Vladimir Tatlin, and in 1918 Rodchenko presented a one-man show in Moscow. In the latter year he painted a series of black-on-black geometric paintings in response to the famous “White on White” painting of his rival, Kazimir Malevich. In 1919 Rodchenko began to make three-dimensional constructions out of wood, metal, and other materials, again using geometric shapes in dynamic compositions; some of these hanging sculptures were, in effect, mobiles.

Rodchenko led a wing of artists in the Constructivist movement—the Productivist group—who wanted to forge closer ties between the arts and industry and to produce works that they considered more appropriate in the daily lives of worker-consumers. He thus renounced easel painting in the 1920s and took up other art forms, among them photography; poster, book, and typographic design; furniture design; and stage and motion-picture set design. He held various government offices concerned with art-related projects, helped to establish art museums, and taught art.