one of the foremost Spanish dramatists of the 20th century, who was awarded the Nobel Prize for Literature in 1922. He returned drama to reality by way of social criticism: declamatory verse giving way to prose, melodrama to comedy, formula to experience, impulsive action to dialogue and the play of minds. Benavente showed a preoccupation with aesthetics and later with ethics.

The extent to which he broadened the scope of the theatre is shown by the range of his plays—e.g., Los intereses creados (performed 1903, published 1907; The Bonds of Interest, performed 1919), his most celebrated work, based on the Italian commedia dell'arte; Los malhechores del bien (performed 1905; The Evil Doers of Good); La noche del sábado (performed 1903; Saturday Night, performed 1926); and La malquerida (1913; “The Passion Flower”), a rural tragedy with the theme of incest. La malquerida was his most successful play in Spain and in North and South America. Señora Ama (1908), said to be his own favourite play, is an idyllic comedy set among the people of Castile.

In 1928 his play Para el cielo y los altares (“Toward Heaven and the Altars”), prophesying the fall of the Spanish monarchy, was prohibited by the government. During the Spanish Civil War Benavente lived in Barcelona and Valencia and was for a time under arrest. In 1941 he reestablished himself in public favour with Lo increíble (“The Incredible”). His extraordinary productivity as a dramatist (he wrote more than 150 plays) recalled Spain's Golden Age and the prolific writer Lope de Vega. With the exception, however, of the harsh tragedy La infanzona (1948; “The Ancient Noblewoman”) and El lebrel del cielo (1952), inspired by Francis Thompson's poem “Hound of Heaven,” Benavente's later works did not add much to his fame.