French Canadian poet and critic who is regarded as the first major literary critic of Quebec.

While a member of the religious order Congrégation de Très Saint-Sacrement, he wrote religious poetry, short stories, and critical articles, especially on the poetry of Émile Nelligan (Nelligan, Émile). Seers knew and admired Nelligan and was largely responsible for editing Émile Nelligan et son oeuvre (1904; “Émile Nelligan and His Work”), to which Seers also contributed an influential preface. He left the order in 1903 and became a typographer in Boston and later worked for the Harvard University Press. His criticism, at first in the form of correspondence with French Canadian authors, achieved recognition in Montreal in the 1920s. In his Poètes de l'Amérique française (1928; “Poets of French America”) and Gloses critiques (2 series, 1931 and 1935; “Critical Comments”), Seers insisted on judging a work solely on artistic merit. He was also the author of Le Coffret de Crusoé (1932; “Crusoe's Chest”), a volume of poems dealing with his loss of faith, and Les Enfances de Fanny (1951; Eng. trans. Fanny), a semiautobiographical novel.