American poet and novelist who used an array of topical phrases and idiom in his satires of urban life.

Fearing worked briefly as a reporter in Chicago. In 1924 he moved to New York City and was a commercial free-lance writer for the rest of his life. In his poetry Fearing depicts a mechanized society devoid of belief, faith, and love; his staccato idiom expresses a viewpoint indigenous to America. His work, acclaimed for its power, vividness, and wit, appeared in Poetry magazine and The New Yorker. His books include Stranger at Coney Island (1948) and New and Selected Poems (1956).

During the 1940s Fearing's readership shifted from his poetry to his psycho-thriller fiction. His most successful book, The Big Clock (1946; film version, 1948), is a satire about a magazine publisher who commits murder and then sets his top reporter to hunt down a suspect, who is the reporter himself. Fearing's prose lacks the passion but not the wit of his poetry; it is noted for effectiveness and imagination.