playwright, poet, and critic whose Neoclassical tragedy Raquel (1778) was once considered the most distinguished tragic drama of 18th-century Spain.

García held a position in the Royal (later National) Library and was a political prisoner in Oran, where Raquel was performed. Although he was learned and translated Sophocles and Voltaire, his critical ability was not very sound. His 16-volume Teatro español (1785–86; “Spanish Theatre”), a collection of Spanish drama from the Golden Age (c. 1500–1650), was personal in its outlook, reflecting his particular interest in classical drama; Lope de Vega, Juan Ruiz de Alarcón, and several other important dramatists of the Golden Age were omitted from the work.