词条 | Walker, Sarah Breedlove |
释义 | Walker, Sarah Breedlove American businesswoman and philanthropist née Sarah Breedlove, byname Madame C.J. Walker born Dec. 23, 1867, near Delta, La., U.S. died May 25, 1919, Irvington, N.Y. businesswoman and philanthropist generally acknowledged to be the first black female millionaire in the United States. Sarah Breedlove married at the age of 14, and at 20, then a widow, she moved to St. Louis, Missouri. She worked as a washerwoman for some years and during that time began experimenting at home with various hair dressings. In 1905 she developed a formula for creating a smooth, shiny coiffure for African American women. She quickly achieved local success with what later became known as the “Walker Method” or “Walker System.” Moving to Denver, Colorado, in 1906, she married Charles J. Walker, and thenceforward she was known as Madame C.J. Walker. Walker organized agents to sell her hair treatment door-to-door and in 1910 transferred her business—by then the Madame C.J. Walker Manufacturing Co.—to Indianapolis, Indiana. Her company at its peak employed some 3,000 people, many of them “Walker agents”—saleswomen dressed in long black skirts and white blouses who became familiar figures in the black communities of the United States and the Caribbean. Walker was president and sole proprietor of her company, and she soon became one of the best-known figures in America. Through the example of entertainer Josephine Baker (Baker, Josephine), the Walker System coiffure became popular in Europe as well. Walker augmented her fortune with shrewd real estate investments. Generous with her money, she included in her extensive philanthropies educational scholarships, the National Association for the Advancement of Colored People, homes for the aged, and the National Conference on Lynching. She bequeathed her estate to various charitable and educational institutions and to her daughter, A'Lelia Walker (Walker, A'Lelia), who was later known for supporting an intellectual salon—known as the Dark Tower—that helped to stimulate the cultural Harlem Renaissance of the 1920s. |
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