Hungarian filmmaker who directed numerous poetic short films and two feature films, the best-known of which is Szindbád (1971; “Sinbad”).

Huszárik studied directing at the School of Film and Dramatic Arts in Budapest from 1949 to 1952. He was expelled, however, probably because his widowed mother was a kulak, or member of the wealthy peasant class who were treated as enemies of the state by the communist government. Huszárik supported himself with temporary jobs but lived virtually at the poverty level, painting in his spare time. In 1957 he returned to the film industry as a set inspector. In 1959 he was allowed to continue his studies at the School of Film and Dramatic Arts, and he earned a diploma in 1961. He first worked as a production assistant. Then, in 1965, at the experimental Béla Balázs Studio, he made his first short film, Elégia (1965; “Elegy”). The film documents free-roaming horses on the Hungarian plain and how they end up becoming beasts of burden and are eventually slaughtered.

Szindbád, based on Gyula Krúdy's short novels from the turn of the 20th century, was released in 1971. The film is unusual in that it has virtually no plot and focuses instead on the personality of its protagonist, played by one of Hungarian cinema's best-known actors, Zoltán Latinovics, who delivered a particularly memorable performance. The film was well received by audiences and critics alike, which helped make it possible for Huszárik to make the short films Capriccio, Amerigo Tot, Tisztelet az öregasszonyoknak, and A piacere (“As You Like It”). In 1979 he completed his second feature film, Csontváry, a tribute to painter Tivadar Csontváry-Kosztka (Csontváry-Kosztka, Tivadar). Its lack of success may have fueled the self-destructive lifestyle that soon after resulted in Huszárik's death.