Korean poetic form that flourished during the Koryŏ period (935–1392). Of folk origin, the pyŏlgok was sung chiefly by women performers (kisaeng) and was intended for performance on festive occasions. The theme of most of these anonymous poems is love, and its joys and torments are expressed in frank and powerful language. The pyŏlgok is characterized by the presence of a refrain either in the middle or at the end of each stanza. The refrain not only establishes a mood or tone that carries the melody and spirit of the poem but also serves to link the discrete parts and contents of the poem. The pyŏlgok entitled “Tongdong” (“Ode on the Seasons”) and “Isanggok” (“Winter Night”) are among the most moving love lyrics in the Korean language.