“clerihew”的意思、由来-百科全书

clerihew

poetic form

a light verse quatrain in lines usually of varying length, rhyming aabb, and usually dealing with a person named in the initial rhyme.

This type of comic biographical verse form was invented by Edmund Clerihew Bentley (Bentley, E C), who introduced it in Biography for Beginners (1905) and continued it in More Biography (1929) and Baseless Biography (1939). The humour of the form lies in its purposefully flat-footed inadequacy: in addition to clumsy rhythm and rhyme, the verse's treatment of the subject is either off the mark or totally beside the point, as though it were the work of a reluctant schoolchild. Clerihews are written as four-line verses of two rhyming couplets, the first line almost invariably ending with the name of the subject:

After dinner, Erasmus

Told Colet not to be “blas'mous”

Which Colet, with some heat

Requested him to repeat.

The number of accents in the line is irregular, and one line is usually extended to tease the ear. Another requisite of the successful clerihew is an awkward rhyme, as in Bentley's "Aeschylus" :

“Steady the Greeks!” shouted Aeschylus.

“We won't let such dogs as these kill us!”

Nothing, he thought, could be bizarrer than

The Persians winning at Marathon.

Another example is Bentley's "Cervantes" :The people of Spain think Cervantes

Equal to half-a-dozen Dantes:

An opinion resented most bitterly

By the people of Italy.

Some of the best clerihews were written by Sir Francis Meynell (Meynell, Sir Francis), W.H. Auden (Auden, W H), and Clifton Fadiman (Fadiman, Clifton).

词条	clerihew
释义	clerihew poetic form a light verse quatrain in lines usually of varying length, rhyming aabb, and usually dealing with a person named in the initial rhyme. This type of comic biographical verse form was invented by Edmund Clerihew Bentley (Bentley, E C), who introduced it in Biography for Beginners (1905) and continued it in More Biography (1929) and Baseless Biography (1939). The humour of the form lies in its purposefully flat-footed inadequacy: in addition to clumsy rhythm and rhyme, the verse's treatment of the subject is either off the mark or totally beside the point, as though it were the work of a reluctant schoolchild. Clerihews are written as four-line verses of two rhyming couplets, the first line almost invariably ending with the name of the subject: After dinner, Erasmus Told Colet not to be “blas'mous” Which Colet, with some heat Requested him to repeat. The number of accents in the line is irregular, and one line is usually extended to tease the ear. Another requisite of the successful clerihew is an awkward rhyme, as in Bentley's "Aeschylus" : “Steady the Greeks!” shouted Aeschylus. “We won't let such dogs as these kill us!” Nothing, he thought, could be bizarrer than The Persians winning at Marathon. Another example is Bentley's "Cervantes" :The people of Spain think Cervantes Equal to half-a-dozen Dantes: An opinion resented most bitterly By the people of Italy. Some of the best clerihews were written by Sir Francis Meynell (Meynell, Sir Francis), W.H. Auden (Auden, W H), and Clifton Fadiman (Fadiman, Clifton).
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